12b) EXT. Review: MIFF 2025
It's that time of year again! Melbourne film aficionados' Christmas, the Melbourne International Film Festival.
As always, the film fans were out in force. In this article, we'll explore a small but exceptional collection of this year's offerings.
"BEAST OF WAR"
Director: Kiah Roache-Turner
Beast of War combines Australian camaraderie with the high stakes of terror below the deep, creating Kiah Roache-Turner’s horror period piece. The World Premiere (August 15th) was met with a warm reception from fans with audible reactions throughout the screening. The story follows a group of Australian Soldiers in WWII, whose plane is shot down over the Timor Sea. The survivors are trapped on a raft with limited supplies, and to make things worse, a Great White shark started circling. A story with equal parts creature horror and mate-ship, it showcases the Australian spirit: looking after your mates in the face of hardship. The strong performances from the ensemble cast, led by Mark Coles Smith (Apple Cider Vinegar, The Clearing), are given moments to showcase their talent. Coles Smith’s grounded, powerful performance as Leo is a masterclass; portraying a young man desperately trying to keep his fellow soldiers from their oceanic opposition, as well as each other, whilst wrestling with his own trauma. Even in his quieter moments, there is a simmering intensity to Leo. His instinct to defend his mates pairs well with his lighter, softer side. Other standouts for me included Steve Le Marquand as the one-armed, monologuing, sharp-witted Commanding Officer, putting our future survivalists through their paces at basic training, and Joel Nankervis as Will, a fellow soldier who quickly strikes a bond with Leo. The use of practical effects, as well as an Animatronic shark, created by Formation Effects and affectionately nicknamed “Shazza” by the crew, replicated the sense of pure dread felt by the characters onscreen. In a movie filled with strong moments, the most memorable for me included Leo taking on a fellow soldier in a brutal fist-fight, Leo’s continuing interaction with a figment of his younger self, and of course, the whole crew going full Bear Grills. If you know, you know. Where this film truly shines is its ability to maintain scope. The vast majority of its run-time is set on the open ocean, which was achieved using a purpose-built water tank, the largest indoor tank built in Australia. Thick, low-hanging fog was utilised to create the illusion of vast, endless space, while keeping our attention focused on our core characters. If you like great Australian storytelling with a unique twist on genre filmmaking, then Beast Of War is a must-see when it gets a theatrical release in October 2025.
"SPLITSVILE"
Director: Michael Angelo Covino
In one of the best comedies in years, IRL besties Michael Angelo Covino and Kyle Marvin reunite to co-write and co-star in this uproariously humorous, fast-paced comedy that follows two best friends navigating their respective relationships. Carey (Kyle Marvin) is a relaxed gym teacher, whose relationship with life coach Ashley suddenly unravels before our very eyes. A heartbroken Carey seeks comfort with their wealthy friends, Paul (Michael Angelo Covino) and Julie (Dakota Johnson). Paul and Julie reveal the secret to their longevity, and Carey and Ashley see this as a way forward. This film is wickedly sharp, well-paced and expertly acted. All main cast members bring their A-Game, and the laughs keep on coming. From an entertaining, chaotic fight sequence that damages the mansion, and the central character's relationship, to a climactic, unhinged birthday party, Splitsville is relentless. Between the laughs, there’s space to breathe, as both couples attempt to navigate a turbulent, new dynamic. What makes this film refreshingly clever is its ability to control the absurdity and farcical nature in a way that still feels contained. Its roots are embedded in classic romantic comedies of the past, updated for a modern audience. The more these characters embrace their at times ludicrous situation, the next development comes bounding in like an excited puppy. This is a thoroughly enjoyable film from start to finish, and will keep you on your toes until the final moments. An uplifting, fun movie that you’ll tell your friends about.
"THE RIVALS OF AMZIAH KING"
Director: Andrew Patterson
The wonderful thing about film is its ability to evoke a variety of emotions throughout its runtime. And this description perfectly encapsulates Writer/Director Andrew Patterson's latest feature. Driven by the honey and beekeeping trade in the deep south, this feature pushes the boundaries of genre storytelling: a small-town crime thriller, uplifting musical, daring rescue adventure, and grounded revenge tale all in one. You’ll laugh, you’ll cry. You’ll be unsettled and welcomed. The Rivals of Amziah King invites us into the tightly knit small community in rural Oklahoma, which is intricately connected through their shared love of music, potlucks, and neighbourly atmosphere. From banjos in the car park to a deep connection to the environment and each other, this community is tightly bonded. At the centre is the titular Amziah, expertly played by Matthew McConaughey, a successful beekeeper who is reunited with his estranged foster daughter, the breakout role for Angelina LookingGlass. The pair rekindle their relationship, with Amziah as a mentor to LookingGlass’s Kateri. McConaughey’s trademark Southern drawl and grounded performance blend perfectly to create this character who feels simultaneously larger than life and down to earth. With a cast of veteran and well-known actors, including McConaughey, Kurt Russell, and Cole Sprouse, it's Angelina LookingGlass who's powerful performance stands out. Her warm, genuine presence, and ability to hold her own amongst industry heavyweights, or even carry the scene when required, captivates our attention, and establishes Angelina as one to watch out for. As well as the strong performances, the fluid camera movements and well-paced editing drive the story forward. Even in quiet moments, our attention is drawn to multiple characters and parts of the space. Not rushed or disorientating, but emulating natural movement to hold our attention. Real bees were used instead of CGI for added authenticity, creating mesmerising visuals, and as a strong motif. The homogeneous hive parallels the community itself, which can be seen in how each member comes together in the face of tragedy. The Rivals of Amziah King is a stunning portrait of midwestern life and with grounded performances, intricate cinematography and a powerful message. It is truly one not to be missed.
